Vehical Design

Now I'm no car designer, but in creating this alternate Ottoman Empire I've had to stretch my limits and plunge into new territories.

I've had fun experimenting with these designs. The hub caps have some Islamic art influence. I've taken some inspiration from Italian cars and from Rolls Royce.

These are high end designs, but I'll also be doing some utilitarian vehicles and buses.

Murad

So, I'm working on coming up with a profile picture for Murad. The following is an example of a failed profile picture. Its not that it doesn't look like him or that I can't use it in the actual comic. What I failed here was to portray his public personality.

He's a charismatic politician who has won the hearts of many of his statesmen. This picture is more of a private, brooding moment.

Anyway, there it is.

 

The CAMPAIGN

I'm so excited about the latest project I'm working on. I'm teaming up with writer James Goldberg to create a comic book, The Campaign.

The premiss is, what if the Ottoman Empire never fell, instead it became a major world power.

The story begins with the death of Sultan Mehmet V. The entire empire mourns the far too early departure of their beloved leader. He was only fifty-eight.

But to his family it means even more, not only do they have to deal with the lost of their father, but one of the sons will become the next Sultan. The throne isn't pasted down to the eldest son, but rather to the son who gains the majority vote in the now up coming election. To ensure unity throughout the nation, the remaining sons will be executed.

The following are concept sketches of the oldest son, Murad.

SCBWI Summer Social

I'm excited to announce this summer's southern Idaho/Utah SCBWI's picnic social. Its coming up in just a few weeks.

This is an opportunity to socialize with your fellow writers and illustrators. We'll also be talking about our favorite social media tips.

This is a free event. So, all you fellows itching to get out of your studios, dens, or converted oldest child's bedroom come!

You may notice that there is a BYOC policy (bring your own chair). That is only because this is a free event. So under no circumstance were we (the planning comity) allowed to rent a pavilion. Maybe next year we'll charge a couple dollars per person just so we can get that, O so coveted pavilion.

I hope to see you there!

Here's the link to the event on the scbwi website, just be forwarned that the information is not complete. 

Okay, okay. I admit it. The reason this information is out so late is because of me. Its all my fault. In March when I was going to make this flier I ended up illustrating a children's book instead. It was a supper tight deadline. And I was putting every spare minute into the book so that the publisher could get it printed in time for its September release. (which, by the way, is called 'A dinosaur goes to Church'. It was fun painting dinosaurs.)

So, if you're going to blame anyone. Blame ME.

Here is some additional information.

Don't forget to join us this Friday evening, July 12th, 6:30pm at Liberty Park in Salt Lake City for our fun and relaxed summer social. Since it's a big park, here are more detailed instructions on how to find us:

Enter Liberty Park from 13th South between 5th and 7th East, head along the one-way road to the pavilion at the north end of the park. Since pavilions are on a first-come, first-serve basis, if the pavilion is empty we'll set up there. If it's already taken, then we will be setting up our own shade tents to the west of the pavilion (the road curves to the west as well, so continue around the corner until you see us).

Also, don't forget to bring your own chair, your social networking tip on a small piece of paper (less than 50 words, please), and your potluck dish. Assignments are as follows:

YA writers bring a main dish MG writers bring a side dish PB writers bring dessert Illustrators bring chips/dips

Plates, napkins and utensils will be provided, as well as cold water. And this event is free to both SCBWI members and non-members, so bring all your writing/illustrating friends for a fun evening of socializing.

We'll see you there!

Sividious Stark: And the Stadium between Worlds

This is a book cover I did for a YA Sci-Fi novel. It was fun to do and a little different than my usual style. I love breaking out and trying new things. Even though those darned art directors keep saying to limit my styles. ;)

SCBWI Illustrator's Conference!

Mark your calendars! Save the date! Register now! An exciting even is coming up in February. SCBWI is hosting an illustrator's conference. This year we have art director Martha Rago of Harper Collins coming as a guest speaker. Also, the husband and wife writer/illustrator team Mark and Caralyn Buehner will be presenting.

Illustration by Manelle Oliphant

 To read all about the conference click here. To register click here.

Okay, so I have to put a plug in for the Illustrator's Intensive with Martha Rago. When you sign up for this you will get to work with Martha as if you were doing a project for a big publisher (She'll give the assignment one month before the conference and work with her all month). Then, at the conference there will be a work shop for those that did the Intensive.

This is a great opportunity to see what its like to do a job for a big time New York art director. Plus, it doesn't her to have her get to know you on a personal level, just saying. You'll have to hurry to sign up for this one. Only the first 25 people will get to do the Intensive.

You Can Do Better

I'm going to share an epiphany I had a while back while doing a project for a client. After the initial sketch was approved I started refining my drawing. I had spent a few hours on it and was liking it. But then I noticed that the placement of the hands were wrong. The way they were facing did not make sense. (If the style I was going for was more stylized and graphic or flat it would not have been a big deal, but that was not my aim for this drawing.)

I hated the thoughts of redrawing those shoes laces! My first reaction was to keep going. I figured most people wouldn't notice. I'd only change it if the art director said anything.

However, that thought nagged me. I knew I could do better. But by going back I'd be spending more time than I wanted on this picture. But after my personal debate, I decided to bite the bullet and make the change. I ended up spending an extra couple hours making the changes and the funny thing is that as I made those changes I noticed other flaws with my drawing that I needed to change.

I'm not going to lie. It was a painful and dreaded thing when I realized how much I had to change, but in the end I was so much more satisfied with my drawing.

 

It made me reflect on my life. How often do I just get by? I can say, "You know what? No one else will notice so what's the big deal?" The deal is that I live with myself. And why shouldn't I try to do better? Anyway, since then I've tried doing things just a bit better. 

But I also want to say that I'm not doing it to compare myself to others. I know a dozen artists that could do a much cooler drawing of this little girl. But the point of changing the drawing wasn't because I was trying to be better than another artist. It was because I knew I could do better.